Despite my better judgment I watched the Academy of Country Music (ACM) Awards show on CBS last night. The band Little Big Town performed their “Your Side of the Bed” song with interesting theatrics.
The song is a slow-moving traditional ballad with predictable lyrics. Not very interesting however, a bed stood on end with a couple suspended with cables kept my attention throughout the performance. I was reminded of the Richards and David’s reading Decorative Color as a Rhetorical Enhancement on the World Wide Web. On page 36 they state”…,a decorative element serving as such a locus can be used intentionally to help generate or restrict eye movement.”(p36). The suspended couple feigning sleep with occasional movements was the locus of the performance. The director or choreographer for this performance kept the attention of me, a casual fan of the country genre, by drawing my eye to the decorative element. Perhaps it was done to keep viewers like me attentive?
During other performances in the awards program big screens with mashed up videos splashed behind performers and occasionally the traditional smoke and fireworks were set off much like many concerts. But none were as interesting as this performance. A mundane ballad was made interesting by employing a visual rhetoric technique of restricting the “roving eye” (36). Richards and David’s article in the 2005 Technical Communication Quarterly addressed the world wide web however, their contention that a designer can control a viewers eye movements applies in this case of a live performance.
Cited
Richards, Anne R., David C.; Decorative Color as a Rhetorical Enhancement on the World Wide Web, 2005 Technical Communication Quarterly, 14(1), 31-48, Lawrence Erlbaum Associates,Inc.
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In class, we discussed Scott McCloud's "Understanding Comics," which is really the seminal work in well, understanding comics.  McCloud discusses just about every, and any aspect of comics that can be conceived, and our discussion on 'gutters' was interesting, as I hadn't read "Understanding Comics" in some ten years.

As an avid comics fan (buff?), I had always been told that Neal Adams was one of the genre-defining comics-book artists of his day (which happened to precede me by some 15 years).  As you can see in the examples to the right, his use of panel arrangement was completely "outside-the-box," to coin a phrase that came up in class.  That is not the interesting part, however.

Trap. The combination of the genres of trance and rap usually through sound mixing and editing, has become a staple of parties and festival shows. They share similar use of synth, heavy base and spoken words to create music. But what interests me out of these is the artwork and how the artwork mimics the mixing of themes between rap and techno much in the same way the music does.

Arguably one of the most recognizable symbols in the Western cultural lexicon, or even that of Eastern cultures, is the silhouette of Mickey Mouse. Popularized in the late 1920s by a series of short films, America’s favorite rodent has come to represent the Walt Disney Studios and the Disney corporation at large.

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We watched "The Machine is Us/ing Us" and had an interesting class discussion on whether it was a scholarly work or not. It was not, perhaps, “scholarly”; but it was an argument, and it made me think about the sociology of internet communication.

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When we talked in class about usability and the internet, it sounded like the conclusion as to what makes a usable website is simplicity. Creating a website to serve a very obvious purpose is the key to usability. But even when a site is usable, there are aesthetics that make a website a more enjoyable experience for the user. Color, formatting, and graphic elements can enhance usability by making a website visually appealing.

In Vitaly Friedman's article "10 Usability Nightmares You Should Be Aware Of," the first item listed is  problematic hidden login links on websites. Friedman uses Backpack as an example because the login link is very small and placed right underneath a block of text that looks like an advertisement, rather than placing the login somewhere else on the page where it can be easily located.

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Of the recent readings for this course, I feel most compelled to comment on the writings of Jakob Nielsen. I had heard of him before, touted as the leading expert of usability. A great deal of the discussion in class was devoted to some apparent contradictions between his ethos and one of his now defunct websites. However, I noticed contradictions on the very page we were asked to look at for class.

Professor John Logie teaches us that comics have a place in academia. He teaches it in Visual Rhetoric. Why not? Comics are visual and they are graphic and they are certainly full of rhetoric. Comics teach us to engage ourselves with the comic we are viewing, on our own time, in our own space. Professor Logie teaches that Scott McCloud's "Understanding Comics" is an essential book to do just that, understand comics.
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