One thing that has stuck with me from the readings so far this semester was the Phillips articles claim that advertising has steadily relied more and more on images to sell products. Various ways of using images were examined and some of these are quite sophisticated, occupying different arenas of richness and complexity. The typology of visual rhetoric provided shows nine distinct types of images as visual rhetoric. Furthermore, according to Phillips the more complex the visual structure and the richer the meaning operation, the more successful the ad will be. When comparing such complexity with old advertisements, it is obvious to me that marketers have adopted a lot more refined toolkit. When I think of old advertisements, there is usually an image of the product or a person using it accompanied by some sort of tagline and a large block of text explaining the product. Modern ads utilize artificial images to convey the products capabilities. For example, the tide ad where the cup of detergent contained an image of clouds is a sophisticated metaphor that needs no additional information other than the name of the product. Reading text to be convinced is both time consuming and by no means guaranteed. By utilizing visual methods of persuasion, the target audience absorbs the message quickly and almost unintentionally and is thus persuaded much more readily. It is easy to see why advertisement has steadily shifted towards using sophisticated images rather than text to sell products—it affects us almost without our consent.

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  1. Advertising. A very interesting topic. In 2013 we learn that there is rhetoric in advertising. If I were shopping for a builder for a new home, I want visuals and text. I will have questions. When I see a Tide ad, I already know what Tide is and how stinky the laundry detergent aisle is in the market. I confess, I sign up for product updates and am amazed at the new ads. I like the coupons, but I have to remember that there are teenagers who are coming of age and who will soon be buying old traditional products like Tide. We are spoiled. We love photography and artistry. Not all of us can draw a pic that is worthy of being placed on advertising. Thanks for allowing me to ramble. I love your post, "it affects us almost without our consent" I think that many do affect us entirely without our consent.
    Rosanne

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In class, we discussed Scott McCloud's "Understanding Comics," which is really the seminal work in well, understanding comics.

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We watched "The Machine is Us/ing Us" and had an interesting class discussion on whether it was a scholarly work or not. It was not, perhaps, “scholarly”; but it was an argument, and it made me think about the sociology of internet communication.

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In Vitaly Friedman's article "10 Usability Nightmares You Should Be Aware Of," the first item listed is  problematic hidden login links on websites.

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Of the recent readings for this course, I feel most compelled to comment on the writings of Jakob Nielsen. I had heard of him before, touted as the leading expert of usability.

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Web site usability

While discussing web design and website usability, the websites that were deemed “most usable,” all had one common trait, and that was simplicity. Simple web designs allow the visitor of the website to be in total control over the page.

... and how clashing implications continue to shape our reactions to these colors.

Depending on the region and cultural upbringing, one may have different connotations associated with the colors black, white, and red.

In our recent discussions of usability of websites, I can’t help but want to critique the website of Pine Lake Pastures, where I take horse riding lessons.

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The core ideas of teaching- explanation, reasoning, finding

things out, questioning, content, evidence, credible authority not patronizing

authoritarianism-are contrary to the cognitive style of PowerPoint.

When I first pulled out Tufte's packet on Power Point, it looked like one of the most boring texts on the planet. 30 pages on the style of Power Point? But as I read, I started to see his point and even found myself laughing at certain parts (talking about the “stupefied audience”).

Maybe it's just me, but as I read Tufte's "The Cognitive Style of PowerPoint," I couldn't help but feel that it was directed at me, especially between the ages of eleven and fifteen.

VISUAL ARGUMENTS BLOG  (Understanding Visual Rhetoric in Digital Writing Environments.)

Mary E.

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April 8th, 2013

To Display, or Not Display, Data that is the Question?

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In "Understanding Visual Rhetoric in Digital Writing Environments," Hocks discusses the importance of transparency when creating digital and visual documents.

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After reading the article “The rhetoric of black, white and red: Responsibility and aesthetics to persuade with color” by Jose Luis Caivano and Mabel A. Lopez the section on ritual and religious persuasion and intimidation stood out the most.

Despite my better judgment I watched the Academy of Country Music (ACM) Awards show on CBS last night. The band Little Big Town performed their “Your Side of the Bed” song with interesting theatrics.

The song is a slow-moving traditional ballad with predictable lyrics.

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Edward Tufte’s The Cognitive Style of PowerPoint lobbies some legitimate criticisms. The medium of visual presentations has always been one that I have found difficult to approach, execute, or understand.

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