Clouds of Words in the Sky


The album cover from Lone's album Ecstasy and Friends, has one of the most interesting uses of typography I have ever seen. At first glance you may not even notice that the white crack down the blue background spells out the artist name, but if you look closely you can see the LONE just slightly bolder than the rest of the crack. The fact that it is hanging in the sky also makes it resemble a cloud as well. This being said, this is an effective use of typography for the audience. The cloud of letters floating over the empty body of water is fitting for the sound of Lone's music, his calming electronic mid-tempo sounds have a summery feel to them, which makes you long for days lying on the beach staring at the clouds. This choice of typography shows artistic interpretation of the music, which is welcome on album covers. I say this with support from Mckiewicz "Given the importance of thoughtfully selecting both verbal and visual elements, [composers] should be able to make informed decisions about typeface and its contribution to rhetorical effect." In this situation the artist most definitely listened to the music of the album first, then determined the audience, then captured the mood that they thought would fit best rhetorically for the situation, and I agree with their judgement.
0

Add a comment

Trap. The combination of the genres of trance and rap usually through sound mixing and editing, has become a staple of parties and festival shows. They share similar use of synth, heavy base and spoken words to create music.
When we talked in class about usability and the internet, it sounded like the conclusion as to what makes a usable website is simplicity. Creating a website to serve a very obvious purpose is the key to usability.
Every day we are faced with multiple typefaces: the good, the bad and the ugly. Some help us to read faster and more clearly, some to invoke a specific feeling or emotion, all the while persuading us to do something (or buy something).
... and how clashing implications continue to shape our reactions to these colors.

Depending on the region and cultural upbringing, one may have different connotations associated with the colors black, white, and red.
When talking about the ethics and rhetoric of data displays in class, I brought up the example of geographic information system (GIS) and their technique of interpolation.
"The Cognitive Style of Powerpoint" makes the assertion that:

The core ideas of teaching- explanation, reasoning, finding

things out, questioning, content, evidence, credible authority not patronizing

authoritarianism-are contrary to the cognitive style of PowerPoint.
When I first pulled out Tufte's packet on Power Point, it looked like one of the most boring texts on the planet. 30 pages on the style of Power Point? But as I read, I started to see his point and even found myself laughing at certain parts (talking about the “stupefied audience”).
Since media technology has advanced past the typewriter, the capabilities of visual, and eventually digital, rhetoric using images have grown exponentially. By appealing to different human attitudes and emotions, digital images have the ability of persuasion and gaining compliance alike.
Often referred to as graffiti, tagging, or more negatively as vandalism, street-art has been around for 40ish years as it was birthed in the 70 but only gained a real popularity in the mid-80’s.
Blog Archive
Contributors
Loading
Dynamic Views theme. Powered by Blogger. Report Abuse.